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Articles 

Jeffrey Side:

 

The Escape From Coherence: An Introduction to Creative Reading 

 

Ambiguity and Abstraction in Bob Dylan's Lyrics 

 

Poetry in Turbulence (or how to enjoy poetry without really understanding it)

 

The Dissembling Poet: Seamus Heaney and the Avant-Garde  

 

Multiple Registers, Intertextuality and Boundaries of Interpretation in Veronica Forrest-Thompson

 

What’s in a Name?: The Art & Language Group and Conceptual Poetry

 

Songs and Poems 

 

Limited Poetic Meaning and the Wordsworthian Legacy

 

 

Jo Furber:

 

Peter Redgrove’s ‘Tapestry Moths’

 

 

Geoff Stevens:

 

 Jeremy Reed: The Prizes and the Disappointments

 

 

Brian Ferneyhough:

 

Words and Music

 

 

Allen Fisher:

 

William Burroughs: Some Contexts for Visual-Text Production

 

 

Gregory Vincent St. Thomasino:

 

Logoclasody

 

Afterword and Addendum to Nico Vassilakis’s STAMPOLOGUE  

 

Reading John M. Bennett: How to Read and Think about the Poetry of John M. Bennett  

 

 

Sheila E. Murphy:

 

Blueprinting the Poetic Structure

 

 

Jake Berry:

 

Further Reflections on Oblivion

 

Responding to Dana Gioia's, "Can Poetry Matter?"  

 

 

A. C. Evans:

 

Voices in Denial: Poetry and Post-Culture  

 

 

Ira Lightman:

 

Performing the Visual Poem  

 

Weightedness in Poetry: An Approach to Scott Thurston

   

 

Paul E. Nelson:

 

Inside Dolphin Skull

 

 

Andrew Duncan:

 

Groups and Boundaries: The Field of Poetry Around 1995

 

 

Adam Fieled:

 

On the Necessity of Bad Reviews

 

Century XX After Four Quartets

 

Lou Reed's " Street Hassle" and the Challenge to Post-Modern Poetry

 

Entitlements: Post-Modernity, Capitalism, and the Threat to Poetry's History 

 

The Conspiracy Against Poems

 

Composite Ideologies: Europe, America, Poetry, and the Internet  

 

 

Libbie Rifkin:

 

The Theory of the Avant-Garde and Practice

 

 

Anthony Cooney:

 

Modernism, Poetry, Verse and Worse

 

 

Jane Joritz-Nakagawa:

 

Unstable Identities  

 

On Feminism and Migration in the Work of Poet Mairéad Byrne

 

 

Tim Allen:

 

The Kiss of Life? The Kiss of Death? Some Thoughts on Linguistically Innovative Poetry and the Academy